SHEZMU absolutely nail it with the hellish Black Metal vibe. The killer sound and killer vocals crawl from the darkness to strangle the light and create a new kind of black metal magic.
Favorite track: L'Arrivée Des Temps Déchus.
While I don't speak French, that doesn't stop me from slamming my head around to the mighty SHEZMU. Picture the Venn Diagram of Black, Doom and Death metals, and this record sits firmly in the middle. Analogue deliciousness.
Favorite track: Les Secrets des Ziggourats.
That's how you do your first full length. That's how you do a full length in an already crowded year for (widely taken) death metal. Up there with this year's Black Curse or Fornicus and more unpredictable. Amazing. That riff on Ode À Hathor... that riff... That acoustic track right after... ... meaowwww...
supported by 77 fans who also own “À Travers Les Lambeaux”
The guitar tone and fullness of the mix is unbearably heavy and punishing. The pulsing nature creates the swarming atmosphere of guilt and despair. One of the best albums I’ve heard in awhile Will Brown
supported by 74 fans who also own “À Travers Les Lambeaux”
I was not into death metal for a quite long time, but elements of psychedelic, space and prog, blended with death metal, just what I needed and was looking for. Thank you guys for giving me so much fun listening your music. This alien shit is groovy spacey and heavy as fuck kalopsia_t
supported by 69 fans who also own “À Travers Les Lambeaux”
Tchornobog is without a doubt one of the best records of the decade.
It goes beyond the outdated concept of ''genres'' to create something very much of its own. To think this is the most honest artistic expression of ONE single person is even more impressive.
It's one long journey, but a very worthwhile one. The songs all mesh perfectly into one relentless masterpiece that traps you in its atmosphere, without escape.
Despair, decay... and all the good shit. activa44
supported by 63 fans who also own “À Travers Les Lambeaux”
Dank, cavernous, maddening, like staring into the gaping maw of an endless void. Tomb Mold have crafted another masterpiece of OSDM that simply must be heard. Between this and Blood Incantation, 2019 was an insane year for death metal. Crippling intensity. hatepolice